STREET PHOTOGRAPHY “FORCES” US TO GO OUTSIDE

“To go outside” in literal word: Travel to other places.

“To go outside” in non-literal word: Go get idea outside our mind. Be creative with new surrounding.

The point is, by travel to somewhere new can help us to push creativity in our mind with new opportunities. To capture something different than what we used to shot, and to learn how to adapt quickly in different situations.

Doing “travelling” to new places does not always means we go to somewhere far from our hometown. It could be as simple as going on different route to working place, or go to part of city that we never been before (or only been there occasionally).

Try to looking for the detail of that place, notice artistic things like:

  • Dynamic geometry line
  • (Vividly) colourful objects
  • Reflective surface of wall or floor
  • Shade that produce unique shadow
  • Try to creatively capture (iconic) culture of a place into a “street photography”.

Street Travel: To open up new way of seeing the world. Both from visual and stories.

Some people asked me before: With the way I shoot street, what if I travel to another city or country, how to show to people that I shoot in these new places?

For me street photography is not always about documentary about where I am. We do not need to shoot at certain location to let people know we photograph in that place. For example: To shoot street in Singapore we do not need to shoot in Merlion (Mascot of Singapore) area. We can simply shoot anywhere in the city, and let people know we shoot in Singapore through other things: Faces of subjects, people’s outfit, buildings, advertising boards, and also through their culture.

Another example is when I recently shot in Sumbawa (West Nusa Tenggara, Indonesia). The way I captured Sumbawa was not by showing glorious landscape photos (that they famous for), instead I focus on things that make Sumbawa People unique compare to other cities in Indonesia, which is: Horse culture, Traditional boat life, and salt pile.

So, the biggest benefit of shooting out there are to produce photos that unordinary for us (unique looks), to help shape our mind with new perspective and also will train us to adapt quicker in random situation to processing a scene (read: know where to stand and when to click shutter).

Street photography also teaches me how to see a city from different perspective. Before, I only think that Jakarta is a super crowded city with messy things inside. However, due to my street photography inspiration comes from Western countries (Mostly from England and USA), I start to learn to capture Jakarta in different way. I always try to capture a scene with elegant feel inside.

Elegant feel means pleasingly graceful and stylish in appearance. Therefore, for me to capture someone with peculiar dress or a place with unique light fall-off is way more interesting than “exploit” story about homeless person. In fact, for now I do not shoot any scenes that showing depression, poverty, or things like that (purely my preference choice).

Additional benefit, by doing street photography in other countries also make me “see” better about the real personality of that country compare if I just walk around to touristy places. I will let my mind to pay more attention about people’s behaviour, outfit, culture, building geometry, and of course, their golden hour time. (Golden hour in Melbourne City or New York City can last up to 3 times longer than here in Jakarta).

Photograph a new city have big chance will give us new inspiration and courage in street photography too. In my case, I always feel more creative to do street photography in Jakarta city every time I just came back from photographed other cities. I will try to apply lesson that I got from other places to see my hometown city in different way.

That is my thought about going outside our “comfort places” would give us benefit to produce photos with more unique looks and help us find more inspiration to capture a scene.

Don’t forget to keep shooting everyday!

Nico Harold

6 thoughts on “STREET PHOTOGRAPHY “FORCES” US TO GO OUTSIDE

  • Hi Nico,
    I agree with you about not shooting scenes depicting poverty and depression. There is definitely a need to call out social issues and document these all too common scenes but I personally feel uncomfortable doing that. I’ll leave it other photographers who can tell their story better than I can.

    You’re inspiring me with your shots. I can say that my inspiration comes from Indonesia!

    @jaseinnz

    • Hi Jason,

      Thanks for your reply, yeah for me street photography is about creating art through visual. For documentary or story telling or raising awareness about poverty is not my preference.

      You’re too kind! Thank you so much! 🙂

  • Just discovered your blog. Fantastic content and photos. I really liked your November 2018 article about your settings because I honestly felt like I was reading myself as we share very similar approaches. I do have a couple of follow questions but there was no comment box on that page that I could see. When you import your raw files to Lightroom, do you convert them to DNG in Lightroom, import them as Raf files with no DNG conversion in Lr. or convert them first using something like X-Transformer? You said that you use the Fujifilm colour profiles in Lightroom. How different do you find them to be compared to the in jpegs? Many people say it’s close but still different. In Lightroom, do you change the WB or do you leave it as shot? You gave your settings for your colour jpegs. But in Lightroom how do you reproduce the same colour settings? Apply classic chrome and boos the vibrance? In other words, what do you do in Lightroom to get them looking more like your jpegs in terms of colours. I ask this because I am colour blind with a few shades of colours so it can be difficult for me to play with colours. Do you typically change the HSL sliders ? Thanks for your time. I’m new to the Fuji family. I have an XE3. I am used to heavy post processing for gritty urban edits but would like to simplify it and go after the more filmic street look that you seem to have mastered.

    • Hi Paul!

      Thanks you for all of your kind words, I really appreciate it 🙂

      Usually I import RAW files straight to Lightroom, then process them with classic chrome profile. Most of my post process are about adjust exposure, highlight, shadow, black, vibrance, dehaze and grain. Sometimes I change Saturation and Luminance a little, only when I really need it.

      i can assure you that nothing fancy with the way I use Lightroom. I always keep everything simple and fast to do. My enjoyment in photography is purely when I go outside taking photos, not behind the desk process my files.

      Great choice with X-E3! This little camera mirror my philosophy about keep everything compact, simple, and joy to use.

      Thanks,
      Nico

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